His fiend-Like Queen is Malcolms View of Lady Macbeth at the End of the Play Essay Example for Free

His fiend-Like Queen is Malcolms View of Lady Macbeth at the End of the Play Essay Act 1 Scene 5 is the first scene where you see Lady Macbeth. In this scene we are told a lot about Lady Macbeths character and her relationship with husband, Macbeth. The scene opens with Lady Macbeth reading a letter from Macbeth, which brings our attention to two main points. Firstly, Lady Macbeth is literate, which was very unusual at the time and tells us that she may be a well-educated character. Secondly, it shows us that she is very close to her husband; it wasnt a common thing to write to your wife from the battlefield because many generals didnt have the time, but Macbeth has made the time to do this. The content of the letter also shows us a lot; Macbeth tells his wife everything that happened to him in his encounter of the witches, which shows us that he is able to trust his wife. In the letter Macbeth tells his wife that the witches said, Hail King that shalt be! When Lady Macbeth reads this her thoughts, just like Macbeths, jump straight to murder: that which rather thou dost fear to do/Than wishest should be done. Lady Macbeth is determined that Macbeth shall be king and never actually mentions what she will gain from this, Glamis thou art, and Cawdor, and shalt be/What thou art promised. Lady Macbeth appears to know her husband well, yet do I fear thy nature, /It is too full o th milk of human kindness. This also tells us a lot about Lady Macbeth herself; even after Macbeth has been on the battlefield killing hundreds, most people would see the fact that he could come home and be kind as a great thing, but Lady Macbeth sees this as his weakness. This is thinking very much like the witches foul is fair, and fair is foul. Lady Macbeths character has many attributes, which may be associated with evil and which is, in turn, part of the witches characters. The first of these is the fact that Lady Macbeth is very manipulative: That I may pour my spirits in thine ear. She speaks of the Raven which is a bird associated with death. When she hears that Duncan will be coming to the castle she immediately thinks that this is the perfect opportunity to kill him, she refers to the fatal entrance of Duncan. She calls to the spirits for help: Come you spirits / That tend on mortal thoughts, unsex me here. make thick my blood, / Stop up th access and passage to remorse. Come to my womans breast/And take my milk for gall, In this speech she is asking the spirits to take her womanly tendencies away from her so that she is able to kill Duncan without feeling remorse and without those feminine feelings or attributes that may weaken her. In Shakespeares time witches were linked with the devil and gave away their femininity when they linked themselves to him, therefore when Lady Macbeth willingly asks for her feminine characteristics to be taken from her own body, she links herself to the supernatural, and therefore the witches. The speech also tells us that Lady Macbeth doesnt believe that she is normally able to kill someone; she thinks that this is the only way she will be able to do it and is trying to convince herself that she is evil throughout the scene. What is said in this speech is very similar to the one Macbeth makes, when he asks himself to not think about the treason and murder he is committing. This makes another link between Macbeth and his wife when Lady Macbeth says: Come thick night/And pall thee in the dunnest smoke of hell. This line shows us a lot, first that it reflects Macbeths, Let not light see my black and deep desires. The fact that she speaks of night links her to the witches, since night is the witches element. This line also links her subtly to the main dark themes of the play. Lady Macbeth has a very strong character and is very controlling, which was a characteristic uncommon at the time: and you shall put/This nights great business into my dispatch. She is taking everything into her own hands and seeing all the opportunities she has at that moment, but is failing to see further than that, to the consequences that may come about from her actions. In this scene Lady Macbeth does come across as having an evil nature. She is manipulative and is able to think about killing someone without much second thought, as well as able to link herself to the supernatural and destroy her feminine body in search of a greater power. In scene 6 Duncan arrives at Macbeths castle in Inverness. In this scene the first thing the reader realises once you have read it is the dramatic irony in it; Duncan says The air / Nimbly and Sweetly recommends itself/Unto our gentle senses and is talking about how nice the castle is when he is in fact very unsafe at Macbeths castle. This scene is also a very good example of Lady Macbeths deceiving abilities; she is sweet-talking Duncan and being kind, All our service, /In every point twice done then doubled and To make their audit at your Highness pleasure: she is being the perfect hostess. She is almost over doing the acting in the way she is flattering him so much, Still to return your own. Lady Macbeth is very two faced and hypocritical in this scene We rest your Hermits. She is taking up Duncans reference to prayer, How you shall bid God ild us for your pains, and this is hypocritical because of the prayers that she made to the spirits/That tend on mortal thoughts about taking away her womanly aspects. Scene 7 opens with Macbeth contemplating the plan to murder Duncan. He comes up with three strong reasons why he shouldnt kill him: First, as I am his kinsman and his subject, /Strong both against the deed; then, as his host, but there is still a present desire to be King. Lady Macbeth then comes into the scene and does not like what Macbeth is saying. She starts by putting him on the back foot by answering his questions with more questions: Macbeth: How now? What news? Lady Macbeth: He has almost supped. Why have you left the chamber? Macbeth: Hath he asked for me? Lady Macbeth: Know you not he has? This is where Macbeth tries to take charge and tells lady Macbeth [They] will proceed no further in this business and he tells her that he is happy, I have bought/ Golden opinions from all sorts of people. She doesnt take this into account and starts attacking. She starts by emotionally black mailing him, questioning his love for her, Such I account thy love, asking that, if he says that he wishes to be King and then take it back, how can she trust that he really does love her when he says it. She then attacks his ego, suggesting he is a coward even after he has come back from killing thousands of people on the battlefield: Wouldst thou have that/Which thou esteemst the ornament of life, /And live a coward in thine own esteem. She compares him to the cat, which would never go for the fish, Like the poor cat Ithage? She is asking him a rhetorical question, putting the thought into his head that he has the desire but not the guts to seize his dreams. She then attacks his manhood: What beast wast then? That made you break this enterprise to me? When you durst do it, then you were a man; / And to be more then what you were, you would be so much more the man. Then to prove her point further, and show us the length she is forcing herself mentally to convince herself she is truly evil, she presents this horrible image: How tendertis to love the babe that milks me-I would while it was smiling in my face Have plucked my nipple from its boneless gums, and dashed the brains out, had I so sworn as you have done. After this Lady Macbeth manages to sway Macbeth back to the murder with her certainty: Macbeth: If we should fail? Lady Macbeth: We fail? But screw your courage to the sticking-place, And well not fail. She is almost mocking him with the we fail? making him feel small with the suggestion of it. Then she asserts her control over him again with And well not fail. She then shows us how she is a practical by explaining her plan to Macbeth; His spongy officers, who shall bar the guilt / Of our great quell? This speech really convinces Macbeth to go through with the murder and proves once again that, at this point, Lady Macbeth really does have control over Macbeth. This scene shows that Lady Macbeth has many evil traits; she is manipulative and controlling. She is also a very practical woman with her plan. Act 2 Scene 2 opens up with a short soliloquy from Lady Macbeth and the content of this soliloquy is quite contradictory; whereas in Act 1 where Lady Macbeth comes across as very confident, here she says What hath quenched them hath given me fire suggesting that maybe she isnt a naturally confident person and is trying to be. She comes across as being nervous and jumpy, Hark! Peace! It was the owl that shrieked. She lacks confidence in her husband: Th attempt and not the deed Confounds us. Just from hearing Macbeth say, Whos there? What ho! she jumps to the conclusion they have failed in plan. Next we see a whole new side to Lady Macbeth Had he not resembled My father as he slept, I had donet. This is proof that maybe Lady Macbeth has a heart and is not the cold heartless person she tries to make herself out to be. This is also an example of her stupidity; she doesnt make the connection between what she says and what she does. Lady Macbeth isnt a very understanding woman, another sign that she isnt very clever: when Macbeth comes in he is traumatized by what he has just done, instead of Lady Macbeth being caring and understanding she gets angry at him, Why did you bring these daggers from the place? They must lie there. Go carry them, and smear / The sleepy grooms with blood. When Macbeth looks at his bloody hands and says, This is a sorry sight. Lady Macbeth replies with A foolish thought, to say a sorry sight. That is also a sign of her practicality she is trying to get Macbeth to not dwell on his thoughts. Then there is also another sign of nervousness between them both with the short exchanges when they first meet: Macbeth: When? Lady Macbeth: Now. Macbeth: As I descended? Lady Macbeth: Ay. Lady Macbeth isnt very understanding at all of what her husband is going through and tells him, Consider it not so deeply. In act 2 scene 3 we see examples of Lady Macbeths practicality and ability to act. The scene opens with Macduff and Lennox entering, wishing to see the King and then finding him dead. Lady Macbeth enters and we see how her acting abilities are still strong, with her pretending she has no idea what has happened Whats the business, and it comes across that she genuinely doesnt seem to have an idea about what is going on. There is the irony of Macduff calling her, O gentle lady, when earlier we are given these horrible images by her, And dashed the brains out. She then manages to keep up the charade by coming across as horrified by the death of the King, Woe, alas! / What, in our house? Macbeth then enters and starts to give these flowery speeches: The wine of life is drawn, and his gashed stabs looked like a breach in nature: when these are compared to the initial reaction of Macduff, O horror, horror, horror! they appear to be prepared. Lady Macbeth can see this and sees how this is getting her husband into deeper trouble and she faints, drawing the attention away from her husband, another example of Lady Macbeths practicality and affection for her husband, she wishes to protect him. It is also possible that the vivid descriptions her husband has given, His silver skin laced with his golden blood, has really shown to her what they have done and the shock of this may have caused her to faint. It may have also been due to shock in the change of her husband, before this he was a wreck at the thought of what he had done: I am afraid to think what I have done. now he is able to lie with apparent ease, talking about the man he murdered so highly, and the guards he murdered while they were still sleeping. She scared at what her husband has become. By the end of act 2 we have seen cracks in Lady Macbeths visage, she is not as strong as she believes she is and she lacks the imagination to see this. In Act 3 Macbeth is now King and Lady Macbeth is the queen. The scene opens with Banquos soliloquy, then the full royal court entering and Lady Macbeth greets Banquo with great gusto, If he had been forgotten, / It had been as a gap in our great feast. After there has been much chatter between Macbeth and Banquo, Banquo leaves and Macbeth dismisses everyone including his Dearest love: before he was always with her and needed her opinion on decision and she was very much in control. Is this a suggestion that Macbeth doesnt feel he needs her guidance now or is he trying to be the man Lady Macbeth tried to suggest he wasnt? She must being feeling rather insignificant now and most probably hurt that after what they had just done that he could dismiss her like that. Act 3 scene 2 opens with Lady Macbeth asking permission to see her husband, Say to the King, I would attend his leisure / For a few words. This is very strange because before Lady Macbeth would never have had to ask to see her husband. Does this mean she has lost the power she had over her husband and isnt in control like she use to be? We then see that Lady Macbeth isnt the evil person she made herself out to be; we see she is hurting from what has happened: Tis safer to be that which we destroy, / Than by destruction dwell in doubtful joy. Macbeth then enters and Lady Macbeth forgets about her worries and starts trying to comfort Macbeth, whats done is done. But she isnt taking her own advice, she is, without content. Macbeth then talks about his torment and uses this vivid imagery, O full of scorpions is my mind, Macbeth then drops hints that something is going to happen, there shall be done / A deed of dreadful note. In this same speech Macbeths also uses the imagery of creatures associated with evil and death: The shard-borne beetle so we can assume he is talking about the plan to kill Banquo. Lady Macbeth is properly feeling very confused at this point, before Macbeth included her in all the discussions and now she has no idea what he is talking about, Whats to be done? So by the end of this scene we have truly seen the soft and feminine side to Lady Macbeth: we have also seen the first signs of her coming collapse. We have seen examples of her love for Macbeth by casting aside her own worries to try to look after him. The first key point about Act 3 scene 4 is the notable change in Lady Macbeths behaviour. In Act 1 she was very welcoming and talkative with her guests coming across as being a strong character but is this scene she has lost this strong visage, she has to be prompted to welcome her guests, Our hostess keeps her state, but in best time / We will require her welcome. After this though we are able to see some of Lady Macbeths old characteristics, when Macbeth is distracted with talking to the Murderers, Lady Macbeth notes that he is away too long and reminds him he is holding a dinner, You do not give the cheer, an example of her practicality. Soon after Macbeth he rejoins the dinner he mental state deteriorates, when he sees Banquos ghost. Lady Macbeth steps in here with her practicality and tries to bring her husband back while passing off his madness as having some sort of fit: My lord is often thus, / And hath been from his youth She is finally able to bring him back by attacking his ego again by repeating the line, Are you a man? She is then fairly harsh to Macbeth mocking what he said earlier in the play, This is the air-drawn dagger which you said / Led you to Duncan. We see her lack of imagination, You look but on a stool. She is still unable to understand why Macbeth is suffering. Lady Macbeth is then able to bring Macbeth back to reality, where he starts acting normal but then mentions Banquo again, this sets Macbeth off again as the ghost reappears and he goes mad. Lady Macbeth steps in once again with her practicality and gets rid of the court so she can attend to her husband and before he is able to say to much about the murders, Stand not upon the order of your going. / But go at once. When the rest of the court has left, Lady Macbeth changes: her answers become short. At some point she must have realised what Macbeth had been seeing, changing how she was. Is her quietness a response to what Macbeth has become? She believed that this would only take one murder, and now Macbeth has murdered four times. She must be feeling scared, before she was very much in charge and now Macbeth is fully in control and not asking her opinions. There is already the idea of another murder in his head: Strange things I have in head, That will to hand; / Which must be acted ere they may be scanned. By the end of this act you can see Lady Macbeth is scared and she has lost the control she had over her husband. She isnt the strong character she was in Acts 1 and 2 only her practicality is left. Act 5 scene 1 is when Lady Macbeth has finally gone mad. Shakespeare gives little indication of time in the play, but from what we can gather a fair amount of time has passed, and over this time we can tell that he mental state has deteriorated. The scene starts off by telling us that Lady Macbeth has been sleeping walking and going through the routine of writing a letter, then reading it. I believe this refers to the letter she received from Macbeth about the witches; the letter which started the whole affair off. I think that subconsciously she is wishing for everything to go back to that moment so none of this ever happened. She enters sleep walking carrying a candle and the gentlewoman says that Lady Macbeth has, light by her / continually, tis her command. This is ironic because earlier in the play Lady Macbeth says, pall thee in thy dunnest smoke of hell. So after wishing not to see the light she cant bare to be without it. There is then more irony in this scene, Out damned spot, out I say! she is unable to wash the blood from her hands and to Macbeth earlier she says: A little water will clear us of this deed. She almost repeats Macbeths, Will all great Neptunes ocean wash this blood / Clean from my hands?: with the smell of the blood still; all the perfumes of Arabia will not sweeten this little hand. We can see now that she always did understand what her husband was saying, but on a subconscious level: she lacked the imagination to understand when conscious. Earlier in Macbeth Lady Macbeth asked: Come thick night / and pall thee in the dunnest smoke of hell, and now she says, Hell is Murky. It appears that she is now in her own hell and it is terrifying. Throughout the scene there is more imagery of blood, we have Lady Macbeth mocking Macbeth about being upset about killing Duncan, now she is saying: Who would have thought the man has so much blood in him. At first she acted as if she was fine and didnt have a conscience, we now see that everything had built up and has been affecting her: The Thane of Fife had a wife; where is she now? What, will these hands neer be clean? She is even suffering for the murders she had nothing to do with. After reading Macbeth and carefully analysing Lady Macbeths actions throughout I think we are able to feel some pity for Lady Macbeth. I think she can be blamed partly for the Tragedy of Macbeth because she did push her husband to commit the murder, but we do not fully see what her motivation for this was. My view is that she was mainly doing what she thought her husband deserved because it is obvious through the play that she is deeply in love with Macbeth. Also taking into consideration the time the play is set was it not Macbeths place to stick with what he originally felt and tell her that they would not murder the King? I think pity grows towards her as the play goes on; as the reader you can see a change in her character, which quite clearly shows us that she never intended for Macbeth to become theevil tyrant he did become. Another reason for her to be pitied is that you can see she is in pain and suffering but she ignores this to try and comfort her husband who is more open about his suffering. This drives Lady Macbeth crazy in the end, and the idea that she died because of her love for her husband is tragic. This is why I think Malcolms view of lady Macbeth, His fiend-Like Queen is unfair towards her and that it was Macbeths place to have put a stop to the murder which eventually led to both of their deaths.

Technologies of Seduction Essays -- Seduction Cinematic Body Film Essa

Technologies of Seduction â€Å"There can be no question of escaping the twisted logic of theoretical writing; there are only different ways of coming to terms with it.† (Shaviro 11) Blind Beast (Masumura Yasuzo 1969), Ghost in the Shell (Ohii Mamoru 1995), and Spirited Away (Miyazaki Hayao 2001) sustain the relation between the ‘body’ and ‘technology’: its terrific horror is its seduction. Captured bodies cut, cybernetic bodies hacked, and fattened bodies served. These three films all capture the viewer and take us to another place, and even in the seduction of representation understood as events (the theory-fiction of film analyses), such films can be understood as narratives, images, and sounds of losing the self in the moment, an abandon to seduction that constitutes a relation between technologies and bodies. The terrific is the pleasure of the seduction, and the horrific the unavoidable and, indeed, necessary trepidation felt in falling into the utterly convincing and charming seducer’s reality. Steven Shaviro’s theory of film fatale offers a thorough account of what sustains and characterizes the relationship Fri edrich Kittler describes between body and technology: â€Å"Wherever media were unable to connect, human interfaces filled the niche.† What is seduction? To answer this question would be to work productively, a principle of production that is very much oppositional to seduction. Seduction is something like persuasion or convincing, but does not work at a level of cognition. The cinematic image is at once intense and impalpable. On the one hand, film (even more than other visual forms, and in sharp contrast to the articulations of language) is inescapably literal. Images confront the viewer directly, with... ... the same level of suspicion as the productive and representational. The salvation, then, of this argument, a string of mediations that claim to produce an effect on discourse or understanding, is in its denied seductive ulterior. An allurement that occurs just where it is not spoken of, and for just the reasons that remain unsaid. Theory against itself is here a most cunning seduction. WORKS CITED Carpenter, Novella. â€Å"Avant-Prof. An Interview with Steven Shaviro.† Alt-X Press. Dec. 11, 2002. http://www.altx.com/int2/steven.shaviro.html Creed, Barbara. â€Å"Horror and the Monstrous-Feminine: an Imaginary Abjection.† in Jancovich, ed., Horror, The Film Reader. New York: Routledge, 2002. Haraway, Donna. Simians, Cyborgs, and Women. London: Free Association, 1990. Shaviro, Steven. The Cinematic Body. Minneapolis: University of Minnesota Press, 1993.

Social Class in to Kill a Mockingbird

There are many different social classes in â€Å"To Kill A Mockingbird. † The factors that separate people into these social classes are their skin color and their occupation. For example, Atticus, Scout, and Jem are part of the highest social class. They are part of this social class because Atticus is a lawyer, which makes him a highly respected person in the community. He is also white, which, at that time was a very important factor that chose who belonged in what social class. Scout and Jem are his children and therefore are also part of this social class. Another person in this same social class is Miss Maudie Atkinson.She grew up with the Finch’s and is an old friend of theirs. She is now Atticus’s neighbor and is loved by his children. Aunt Alexandra is also part if this because she is known as the â€Å"perfect example of what a southern lady should act like. † She is part of the Finch’s family and is highly respected by the community. One of the very important rules of belonging in this social class is to treat white people with lesser status kindly. It is an unwritten rule that white people with a higher social class than other white people must be hospitable and treat them with respect.An example of this is when Walter Cunningham is invited by Jem to come over for dinner. When Scout notices Walter using a lot of gravy during dinner she is rude to him and as a result is punished by Calpurnia. The reason for this is because Walter is of a lower class and was invited to eat with Atticus and his family. As a result, it is rude not to let him do and eat what he wants to. An example of a person who is in the next social class is Mrs. DuBose. She is a nasty women and one of the factors that hints that she is not part of the higher social class is the way she talks to her community members.She is supposed to be kind and respectful to the white people of Maycomb, like Jem. Even though she is nice to Atticus, she talks badly about him behind his back. That is not a quality that a person of a high status would have. Therefore, she isn’t part of that social class. The next social class is the poor, yet respectable white people. The Cunningham’s are in this class because even though they are poor, they manage to live their life by borrowing money and paying back the money borrowed with items from the farm instead of money. Under them are theEwell’s, who are poor and disgusting. They are completely rude and so are their children, but they are still in a higher social class than black people since they are white. The next social class is wealthy or middle-class black people. Calpurnia is a part of this class and only is for the reason that she is black. She has all the qualities of a good southern lady, and has perfect manners. She is respected and in good relations with the Finch family. Calpurnia would be in the same social class as Atticus Finch if she weren’t black. Another p erson who is in this class is Reverend Sykes.He met Jem and Scout in church and showed how much he respected them and their father for defending the Tom Robinson case. He welcomed them and was very friendly, therefore in the same class as Calpurnia. The last social class is the poor and black people. Lula is in this social class. She is disgraceful to the black people and her motto is that the black people should stick to own community and the white should stay with there’s. She was harsh and shallow to someone who is of her kind (Calpurnia) and she was harsh to two innocent kids just because they are white. There is a very interesting relationship between the white people and black.The majority of the black people is more mature and has much more class. They accept themselves and their status. They accept how they don’t get credit for all their work. They accept always having the worse of things, like the First Purchase church, which is a very beaten down church. They accept not getting an education with barely any complaints. No matter how much they tolerate, the white people cannot stand them at all and are so afraid of the truth because it means going against a white person’s word. The fact that white people don’t treat white people equally contributes greatly to the way the social classes are separated.

Pocahontas - 2222 Words

Mo October 29, 2013 Paper #1 CA 250 – TA: Alyx Pocahontas: How Normative Claims Advance Multiple Ideologies Implicit ideologies are seen in film dialogue, music, and content. Through a deeper level of interpretation, viewers can understand what is implicitly implied through a films messaging. Pocahontas, a classic Disney movie, is based on a legend that surrounds a Native American woman. Pocahontas reinforces the normative ideologies of interracial relationships, the misinterpretation of Native Americans, and gender stereotypes in an effort to appeal to children of all ages and teach them morals. Pocahontas was the first Disney film to ever show an†¦show more content†¦Savages!† (songlyrics.com). There was an imaginary form of ideology being represented for the real conditions of existence by the Native American’s during this time (Althusser 155). â€Å"The starting-point is the simple one that ideology is read from film texts, consciously or unconsciously, and the relationship between each text and its culture are traceable to ideological roots.† (Turner, 199 9, p.171) Pocahontas gives viewers a different picture of the Native Americans role during this time. In addition to Native American’s being criticized and misrepresented from their actual history, they were also portrayed as a Willow tree, Meeko, and Flit, whom were all objects in nature or animals. Because all Native American characters were the animals and the objects in nature, their heritage and people get pushed to the edge of society because they are made out to be different [to be objects and animals]. They are marginalized because they are different from the westerners. This impacts the ideology of social exclusion and misrepresentation of a social group. The Native American’s are misinterpreted through society today due to movies like Pocahontas portraying their people as animals, objects, or misinterpreting their role in history with negative connotations in the text. â€Å"Importantly ideological approaches reject the view of the film text as ‘unitar y’ in meaning; that is, as making only one kind of sense, without considerations, exceptions, or variations in theShow MoreRelated Pocahontas Essay941 Words   |  4 PagesPocahontas For more than two centuries since the death of the Indian princess Pocahontas, legends and stories of romance have been imbedded into our minds, but her dramatic life was more important to the creation of a segment of American history than legend. Around the year of 1595, Pocahontas was born to chief Powhatan, the powerful chief of a federation of Algonquian Indian tribes who lived in the tidewater region of Virginia (Sahlman). She was but one of the many children of Powhatan,Read MoreRacism in Pocahontas1552 Words   |  7 PagesRacism in Pocahontas The film Pocahontas, produced by Walt Disney films, portrays the tension between the Powhatan tribe and English settlers during the establishment of Jamestown, the first permanent English settlement in the New World. 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